Curating Hidden Collections & the Black Archive: Project Seminar
About “The Baltimore Collection” & Curating Hidden Collections
Location
The Best Possible Sad Fate for “The Baltimore Collection”
Dear, “Unidentified” woman in photo 31
Finding Baltimore in “The Baltimore Collection”
A Long Time Coming – Becoming familiar with “The Baltimore Collection”
Taking steps: on researching difficult photographs
“Concrete Identification” in Early Twentieth Century Photography
Giving Credit Where Credit is Due
A Trip to the Parlor Gallery
The Atlantic City Boardwalk: Black Vacationing and Portraiture
Texas
Laundresses and Their Self-Fashioning
My Apologies to (possibly) W.B. Ganage
Cecil [E.] Allen: Historical Research and Uncertainty
William McKinley (1843-1901): A White Sitter in a Black Collection
Little Tikes’s Naval Uniform
Studios
A Trip to the Parlor Gallery
Finding Baltimore in “The Baltimore Collection”
Taking steps: on researching difficult photographs
“Sociality does not decay”
“A Common Artifact”: Labor in the studio/archive
The Consequences of Categorization
The Art of Eye Contact
The “New Womxn”
Laundresses and Their Self-Fashioning
Landscapes
Intimacy of Photography
The Temptation of the Handwritten Inscription
Beyond Anonymity: Imagining the Life of One Unidentified Sitter
Theory & Practice
“Sociality does not decay”
Representation Matters
1,641 Miles Away
Reflecting on Networks and Monuments
Wicker Benches and Critical Fabulation
Inside the Artist’s Studio (And Waiting Outside It)
Will it be Enough?
“More Product, Less Process:” The Privilege of Curating Hidden Collections & the Black Archive
Theorizing Culture within “The Baltimore Collection”
We Want Decolonization and We Want it Now!: “The Baltimore Collection” at the University of Delaware
Our ARTstor Guidelines
Annotated Bibliography
Conservation
About the Photograph Conservation Block
Condition Diagrams & Reports
Black Portrait Photograph Collection
Black Portrait Photograph Collection
“A Common Artifact”: Labor in the studio/archive
The Consequences of Categorization
The Materiality of a Tintype
Legacies of Embodying A Tradition
Black Joy in Photography
Shadows and Mirrors
Come “See” With Me: A Guided Physical Experience in a Virtual World
Material Speculations
To Imagine Reality: Practicing Anti-Racist Care and the Genre of the Finding Aid
Finding Aids: Approach of Inclusion and Acknowledgement
Finding Aids In the Wake of Absence
Minimal and Direct: The Usefulness of a Finding Aid
A Conservator’s Thoughts on Finding Aids and the Practice of Refusal
CHC Project Team Spring 2021
CHC Project Team Fall 2023
The Consequences of Categorization
Select Page
test_filt_port
by
Natalia Lopez
|
Jun 14, 2018
|
Uncategorized
Alltest...
