New Collections and New Images Available in Artstor

Kwakwaka'wakw artist, Headdress Frontlet, pre-contact, Portland Art Museum, Portland, Oregon

Kwakwaka’wakw artist, Headdress Frontlet, pre-contact, Portland Art Museum, Portland, Oregon

Just in time for the holidays, Artstor has released a number of new and expanded collections in the Artstor Digital Library:

The Papal Visit

Caradosso, Pope Julius II [obverse] and View of Saint Peter's [reverse], 1506 (photo: Courtesy National Gallery of Art, Washington)

Caradosso, Pope Julius II [obverse] and View of Saint Peter’s [reverse], 1506 (photo: Courtesy National Gallery of Art, Washington)

Let’s face it: if you live around here, you’re probably not going to be doing a lot of driving this weekend. With all the pandemonium surrounding Pope Francis’s visit to Philadelphia, many of us are either hunkering down at home or getting out of town altogether.

What better time to think about all your favorite popes in art? Of course the first pope, Saint Peter, is a key figure. During the Middle Ages, there were a bunch of popes named Gregory and Innocent and whatnot. There was a Saint Francis (who was said to have miraculously appeared to Pope Nicholas V), but until 2013 there had never been a Pope Francis. For awhile, the Papal Court even moved from Rome to southern France, and sometimes there were simply too many popes at once. At the height of the Renaissance, Julius II commissioned Michelangelo’s ceiling in the Sistine Chapel, Raphael’s Stanze frescoes, and Bramante’s design for rebuilding Saint Peter’s Basilica. He also collected ancient sculptures like the Apollo Belvedere and Laocoön, which would inspire generations of artists. But not everybody was a fan of such papal indulgence, or indulgences for that matter. Martin Luther and other reformers soon challenged the authority of the Roman Catholic Church. When the Medici Pope Clement VII refused to annul the first marriage of Henry VIII, the king essentially declared himself the pope of England. The Vatican countered with a series of strong popes in the later 16th and 17th centuries. Innocent X was the patron of the Baroque sculptor Algardi, while Alexander VII preferred Bernini. But the temporal power of the popes began to wane in the 18th century, and by the death of the Pius IX in 1878, the Vatican complex was all that remained under their control.

All of these images–and many thousands more–are now free and available for anyone to use (legally!) because they were provided by institutions that have adopted generous Open Access policies. So thank you to such museums as the J. Paul Getty Museum, the Los Angeles County Museum of Art, the National Gallery of Art, the Walters Art Museum, the Yale Center for British Art, and the Yale University Art Gallery, among others. I encourage everyone to reward them with a little extra Web traffic this papal weekend!

New Images Available in Artstor

Jean-Honoré Fragonard, Young Girl Reading, ca. 1770, National Gallery of Art, Washington

Jean-Honoré Fragonard, Young Girl Reading, ca. 1770, National Gallery of Art, Washington

This month, new images have been added to the following collections in the Artstor Digital Library:

Fate of the Corcoran Gallery of Art

Frederic Edwin Church, Niagara, 1857, Corcoran Gallery of Art, Washington, DC

Frederic Edwin Church, Niagara, 1857, Corcoran Gallery of Art, Washington, DC

The 140-year history of the Corcoran Gallery of Art in Washington, DC appears to be coming to an end (at least, its history as an independent institution). According to a plan announced this week, the National Gallery of Art will assume responsibility for its renowned art collection and George Washington University will take over its art school and landmark building. Many of the Corcoran’s treasures will become part of the National Gallery of Art’s own collection, while the rest of its 17,000 objects will be dispersed to other museums. Long an institution with serious financial troubles, the Corcoran had previously been considering a merger with the University of Maryland.

You can read more about the Corcoran’s future here.

Images from the National Portrait Gallery, London

Attributed to John Taylor, William Shakespeare, ca. 1610, National Portrait Gallery, London

Attributed to John Taylor, William Shakespeare, ca. 1610, (Photo © National Portrait Gallery, London)

The National Portrait Gallery in London joins the growing list of museums making images of the works in their collections available for academic use without charge. But please note that these terms–at least for the largest images they provide–are more restrictive than those in some recent releases (such as the LACMA Image Library or NGA Images). While there is no fee for academic or non-commercial use of their images, you must still apply to the Gallery for permission to use them. Commercial use of their images still requires both a fee and permission.

You can read the full press release below:

 

NATIONAL PORTRAIT GALLERY PROVIDES FREE IMAGE DOWNLOADS FOR ACADEMIC AND NON-COMMERCIAL USE

The National Portrait Gallery now provides free downloads of a large range of images from its Collection for academic and non-commercial projects through a new web-site facility. Over 53,000 low-resolution images will now be available free of charge to non-commercial users through a standard ‘Creative Commons’ licence and over 87,000 high-resolution images will also be available free of charge for academic use through the Gallery’s own licences.

Since 1997 over 100,000 portraits from the Gallery’s Collection, including paintings, photographs, drawings, prints and sculptures have been digitised. The Gallery was among the first UK institutions to publish images online in a searchable database, and licensing of these images has raised some £5.5 million which has been re-invested in the Gallery’s work. Digitisation of the Collection is part of realising the Gallery’s mission ‘to promote through the medium of portraits the appreciation and understanding of the men and women who have made and are making British history and culture, and … to promote the appreciation and understanding of portraiture in all media’.

The new licensing process has been automated through the Gallery’s website but each transaction is individually agreed or denied by Gallery staff, to prevent potential abuse of the system and preserve the important revenue achieved from commercial image licensing. In order to help cover the cost and to highlight the value for beneficiaries of this new facility, users are invited to donate in support of the Gallery’s work. Not all of the portraits in the Collections have yet been scanned, and some are subject to copyright restrictions, so charges and restrictions will continue to apply to accessing some images, as well as to the commercial use of all images. Funds raised by image licensing activity will continue to contribute towards further digitisation.

National Portrait Gallery, St Martin’s Place, WC2H 0HE opening hours: Saturday-Wednesday: 10am – 6pm (Gallery closure commences at 5.50pm) Late Opening: Thursday, Fridays:10am – 9pm (Gallery closure commences at 8.50pm) Recorded information: 020 7312 2463 General information: 020 7306 0055 Website: www.npg.org.uk

NGA Images

Johannes Vermeer, Girl with the Red Hat, Dutch, 1632 - 1675, c. 1665/1666, oil on panel, Andrew W. Mellon Collection

Johannes Vermeer, Girl with the Red Hat, ca. 1665-1666 (photo: Courtesy National Gallery of Art, Washington)

BIG NEWS! The National Gallery of Art in Washington has just launched the NGA Images website. There you can download any of their images of works in the public domain (which means almost all of their pre-1900 art). You can read the full press release here.

The images that you can download are 1200 pixels on their long dimension, which is perfect for use in Powerpoint or OIV (see an example here). In addition, if you register on the site, you also get access to 2000-pixel and 3000-pixel images, which are suitable for scholarly publications. And it’s all free of charge!

But what makes this site truly remarkable is that you’re also free to use any of the images you download for any purpose you want, without even having to seek the museum’s permission. It’s all part of the National Gallery of Art’s Open Access policy. This follows the recent news that Yale University and the Los Angeles County Museum of Art would similarly open their image collections for unrestricted public use. The stature of the National Gallery of Art’s collection makes this an even bigger announcement . . . and another important milestone on the road towards greater public access to online image collections.

Art in the News

A few more art-related items in the recent headlines:

  • An obituary for Cy Twombly, 1928-2011. The American artist, best known for making paintings that look like blackboard scribbles, died on July 5th at age 83.
  • An architectural review of Zaha Hadid’s Guangzhou Opera House in China.
  • An article on Samuel F. B. Morse’s Gallery of the Louvre. The painting, currently on view at the National Gallery of Art in Washington, is one subject in David McCullough’s new book, The Greater Journey: Americans in Paris.