Exploring Rembrandt

Rembrandt, Raising of Lazarus, circa 1630-1632, Los Angeles County Museum of Art

Rembrandt, Raising of Lazarus, ca. 1630-1632, Los Angeles County Museum of Art (Photograph provided by the Los Angeles County Museum of Art, www.lacma.org)

You may have heard that Artstor recently allied itself with ITHAKA, the parent company of JSTOR. (And in case you missed it, Artstor had a pretty funny April Fools’ Day story about it.) Now that two of the leading providers of visual and textual content have joined forces, we should expect to see further integration of their resources.

A new pilot project gives us a glimpse of where this partnership may be heading in the future. Exploring Rembrandt shows how images of the master’s work from Artstor can be linked to articles in JSTOR that discuss them. It is still a small prototype–addressing only five of Rembrandt’s paintings so far–but I think it is easy to imagine how useful this could be on a much larger scale.

2015 Artstor Summary

Freake-Gibbs Painter, Elizabeth Clarke Freake (Mrs. John Freake) and Baby Mary (detail), ca. 1671, Worcester Art Museum

Freake-Gibbs Painter, Elizabeth Clarke Freake (Mrs. John Freake) and Baby Mary (detail), ca. 1671, Worcester Art Museum

As we enter the new year, the Artstor Digital Library now has more than two million images. To see all the collections that were added or expanded in 2015, and for a preview of what’s coming up in 2016, check out Artstor’s year-end summary.

Two new collections of note were added over the holidays:

And just today, several more Artstor collections have been enlarged:

The Papal Visit

Caradosso, Pope Julius II [obverse] and View of Saint Peter's [reverse], 1506 (photo: Courtesy National Gallery of Art, Washington)

Caradosso, Pope Julius II [obverse] and View of Saint Peter’s [reverse], 1506 (photo: Courtesy National Gallery of Art, Washington)

Let’s face it: if you live around here, you’re probably not going to be doing a lot of driving this weekend. With all the pandemonium surrounding Pope Francis’s visit to Philadelphia, many of us are either hunkering down at home or getting out of town altogether.

What better time to think about all your favorite popes in art? Of course the first pope, Saint Peter, is a key figure. During the Middle Ages, there were a bunch of popes named Gregory and Innocent and whatnot. There was a Saint Francis (who was said to have miraculously appeared to Pope Nicholas V), but until 2013 there had never been a Pope Francis. For awhile, the Papal Court even moved from Rome to southern France, and sometimes there were simply too many popes at once. At the height of the Renaissance, Julius II commissioned Michelangelo’s ceiling in the Sistine Chapel, Raphael’s Stanze frescoes, and Bramante’s design for rebuilding Saint Peter’s Basilica. He also collected ancient sculptures like the Apollo Belvedere and Laocoön, which would inspire generations of artists. But not everybody was a fan of such papal indulgence, or indulgences for that matter. Martin Luther and other reformers soon challenged the authority of the Roman Catholic Church. When the Medici Pope Clement VII refused to annul the first marriage of Henry VIII, the king essentially declared himself the pope of England. The Vatican countered with a series of strong popes in the later 16th and 17th centuries. Innocent X was the patron of the Baroque sculptor Algardi, while Alexander VII preferred Bernini. But the temporal power of the popes began to wane in the 18th century, and by the death of the Pius IX in 1878, the Vatican complex was all that remained under their control.

All of these images–and many thousands more–are now free and available for anyone to use (legally!) because they were provided by institutions that have adopted generous Open Access policies. So thank you to such museums as the J. Paul Getty Museum, the Los Angeles County Museum of Art, the National Gallery of Art, the Walters Art Museum, the Yale Center for British Art, and the Yale University Art Gallery, among others. I encourage everyone to reward them with a little extra Web traffic this papal weekend!

25th Anniversary of the Gardner Theft

Johannes Vermeer, The Concert (detail), ca. 1665, Isabella Stewart Gardner Museum, Boston (stolen 1990)

Johannes Vermeer, The Concert (detail), ca. 1665, Isabella Stewart Gardner Museum, Boston (stolen 1990)

Twenty-five years ago today, two thieves stole thirteen works of art–together valued at around half a billion dollars–from the Isabella Stewart Gardner Museum in Boston. It was the largest property crime ever in this country, and one of the most famous art thefts of all time. The stolen items have never been returned. The Gardner is still offering a $5,000,000 reward for their recovery.

Among the works lost were five drawings by Degas, a painting by Manet, three Rembrandts, and one of only about three dozen Vermeers in existence.

The Gardner is commemorating this milestone with a slideshow on its website, where you can learn more about these works and the events of March 18, 1990.

New Collections in Artstor

Frederic Remington, The Bronco Buster, 1895, Amon Carter Museum of American Art, Fort Worth

Frederic Remington, The Bronco Buster, 1895, Amon Carter Museum of American Art, Fort Worth

Among the recent additions to the Artstor Digital Library are the collections of several major North American art museums: