About
Material Matters
Winterthur Program in American Material Culture
Class Of
2026
2025
2024
2023
2022
2021
2020
2019
2018
2017
2016
2015
Student Projects
Connoisseurship
Material Life in America
Thesis Research
Other Winterthur Courses
Cities on a Hill: Material Culture in America’s Communal Utopias
Summer Institute
Further Studies
Field Based Learning
British Design History
British Design History, 2025
British Design History, 2024
British Design History, 2023
British Design History, 2022
British Design History, 2020
British Design History, 2019
British Design History, 2018
English Design History, 2017
English Design History, 2016
English Design History, 2015
Craftsmanship
Williamsburg 2019
Williamsburg, 2017
Williamsburg, 2016
Northern Field Study
Northern Field Study, 2024
Northern Field Study, 2023
Northern Field Study, 2019
Northern Field Study, 2018
Northern Field Study, 2017
Northern Field Study, 2016
Northern Field Study, 2015
Northern Field Study, 2014
Southern Field Study
Southern Trip, 2025
Southern Trip, 2024
Southern Trip, 2023
Southern Trip, 2022
Southern Trip, 2021
Southern Trip 2019
Southern Trip, 2018
Southern Trip, 2017
Southern Trip, 2016
Southern Trip, 2015
Further Exploring
Museum Musings
Opportunities
Montgomery Competition
Alumni
British Design History, 2020
The World on a Saucer: Stories from a Ceramic Transfer Print
Labor and Taste in Eighteenth-Century Britain: Vincent La Chapelle’s “The Modern Cook”
“A Mass of Barbarous Splendour”: A Papier-Mâché Writing Desk in the Winterthur Collection
Edible Research: Material Musings on a Loaf of Bread
Thinking Outside the Quadrangle
Tudor Screams and Baroque Dreams: Building a Royal Legacy at Hampton Court
What is British about British Landscapes?
Time Traveling in London
The Expected and Unexpected Successes of I.K. Brunel
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