About
Material Matters
Winterthur Program in American Material Culture
Class Of
2024
2023
2022
2021
2020
2019
2018
2017
2016
2015
Student Projects
Connoisseurship
Material Life in America
Thesis Research
Other Winterthur Courses
Cities on a Hill: Material Culture in America’s Communal Utopias
Summer Institute
Further Studies
Field Based Learning
British Design History
British Design History, 2023
British Design History, 2019
British Design History, 2018
English Design History, 2017
English Design History, 2016
English Design History, 2015
Craftsmanship
Williamsburg, 2016
Williamsburg, 2017
Williamsburg 2019
New England Field Study
New England Trip, 2016
New England Trip, 2015
New England Trip, 2014
Southern Field Study
Southern Trip, 2017
Southern Trip, 2016
Southern Trip, 2015
Further Exploring
Museum Musings
Opportunities
Montgomery Competition
Alumni
British Design History
To the Bloody End
Iconography, Identity, and an Inkwell: Reflections on the English Parish Church
Put a Cork in It: Classical Ruins and Ecological Time at the Soane Museum
Fancy a Cuppa? Crafting British Identity at Afternoon Tea
The Water is Just Fine: The Roman Baths and The Grand Tour
“Smoky, unwholesome, and enormously expensive”: Tallow candles in the museum
Getting Stone(d) in Bath: When a Natural Resource Gains Heritage Status
Do House Museums Really Need Antiques?
“All the World’s a Stage”: Winterthur’s Theatrical Fireplace Tiles
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