“Rub Bread on Your Walls,” and Other Advice I’ve Received from Early America

Long before the DIYers at Pinterest promised 101 natural household cleaners to simplify our lives, before Gwyneth Paltrow and Blake Lively offered us tips on “life curation” that involved making heirloom tomato sauce and purchasing $1300 Pendleton wool cloaks, even before Martha Stewart created her first paper Christmas tree skirt and declared it a “good thing”, early Anglo-American advice writers instructed their readers on how to live frugal, healthy, and “beautiful” lives. Like the followers of today’s lifestyle gurus, early American readers purchased advice books on household management and new types of cookery with the hope of making their lives simpler. And like anyone today who has tried to replicate a craft project they saw on Pinterest or made Gwyneth’s Quinoa stuffed Kabocha, these early Americans probably realized they were buying a certain amount of hogwash.

Scholars hesitate to rely on prescriptive literature in their research because, as the name suggests, it was often aspirational, prescribing behaviors, practices, and material goods that the author believed would refine society—and which were missing from the majority of  early American households. Although authors advertised their books as a necessity for every family, the advice they contained was geared towards the wealthier members of society. Advice written by a pseudonymous “Lady” or “Society of Gentlemen” encouraged the mistress of the household to mix her own silver polish, repair gold lace on gowns, or mend broken porcelain, ignoring the fact that the reader may not even own such luxuries, and if she did, would depend on her servants to care for them. The advice books assumed a level of affluence that was uncommon in most early American households. And unlike today, where those with the most money and leisure time are the primary audience for the DIY projects promoted by Gwyneth Paltrow’s Goop and Blake Lively’s Preserve, the leisured classes of early America usually occupied a supervisory role in household labor, directing the efforts of their servants to cook, make, and mend.

The Universal Receipt Book, 1814.

The advice contained within these books falls within several different categories. A substantial portion of the literature focuses on how to create imitations of popular consumer goods within the home, particularly popular patent medicines and elixirs. Other sections describe how to increase the durability of household goods, such as preventing rust on cutlery, preserving blankets from moths, and removing spots from woolen clothing. A surprising amount of advice centers on the use of household objects to deceive people and how to judge consumer goods so as not to be duped by others. Nearly every book I’ve encountered from the late 18th and early 19th centuries includes instructions on how to make cheaper woods look like mahogany, disguise brass as gold, or dress flax so it resembles silk. The same literature, however, reflects a fear of being deceived about the value of goods by others. Authors advise readers on how to detect adulteration in soap, gin, flour, and other items so they would not be poisoned or simply cheated out of their hard-earned money. Recipes for renovating rancid butter appear alongside methods for determining whether or not flour had been adulterated with no apparent sense of irony. Such recipes not only speak to people’s anxieties about misjudging new consumer goods, but also fears of being (accurately?) judged as poor and uncultured. These books may reflect more to people’s anxieties than their actual practices.

With such a scattershot approach to dispensing advice and poorly conceived ideas about its potential audience, is there anything useful to be gleaned from this literature? I would argue that for scholars of material culture, there is much to uncover. My current research focuses in part on how early Americans purchased, maintained, repaired, and lived with consumer goods. While some information on these practices can be deduced from period diaries, letters, probate inventories, and other sources (which all present their own unique challenges and limitations), aspirational literature maps out the constellation of goods familiar to consumers, even if some were beyond the reach of most people. It suggests that consumers sought advice about how to care for their new goods, that they sometimes sought substitutes for goods that were beyond their means, and that they could be suspicious of the quality of goods imported from beyond their town, region, or nation. And while most people didn’t employ the exact advice promoted in these books, they could adapt it to fit their own needs. Similarly, just because I don’t have an outdoor pizza oven in my garden like Gwyneth Paltrow, doesn’t mean I can’t try her recipes in my own, more limited, kitchen.

I'm onto you, Gwyneth.

I’m onto you, Gwyneth.

So, was anybody following these recipes and advice? At least a few were. Many advice books contain newspaper clippings for recipes and remedies for illnesses that suggest readers were using them as repositories of knowledge. An elusive hand-scrawled note may comment on a particular entry’s efficacy. Very occasionally other sources corroborate this prescriptive evidence. In her diary from December 1769, Hannah Callender Sansom described purchasing and mixing the ingredients for Daffy’s Elixir before spending the rest of the day mending. Daffy’s Elixir was a popular patent medicine composed of senna, brandy, fennel seeds and other ingredients that was first developed in late 17th century-England and used to treat a variety of stomach ailments. Its popularity is confirmed by the fact that a recipe for “true Daffy’s Elixir” is included in numerous books on cookery and domestic management from the period. While Sansom may not have obtained her recipe for one of these sources, she was relying on her DIY knowledge to produce the elixir rather than purchasing it at the store.

True Daffy's Elixir

True Daffy’s Elixir

Although the Daffy’s Elixir recipes may have been successful, most other advice from prescriptive literature was probably hokum, the 19th-century equivalent of those “burn belly fat with this one weird trick…” ads on websites. A book from 1818 recommended repairing your broken china with a mixture of quicklime and Stilton cheese; the same book later noted that garlic juice created a good cement to mend broken dishes and glass. Other than making your dishes a bit cheesy and a bit smelly, it is unlikely these remedies would accomplish much. Several books recommended cutting up pieces of stale bread and using them to clean wallpaper hangings. I shared this tidbit with some museum professional friends expecting them to laugh. Instead, they confirmed that this technique was successful. “Oh no, that totally works—it’s like a giant eraser. The conservators use that trick all the time.” Another chimed in, “I heard that Wonder Bread is even better. In fact, it’s probably better to rub it on your walls than to eat it.”

So I guess the best advice I can offer is…to take most advice with a grain of salt. Consider the financial means and concerns of the intended audience when exploring prescriptive literature. Don’t assume that when books on household management were purchased they were consumed wholesale—people have a habit of adapting advice to their own needs and discarding anything that doesn’t fit their worldview.

And always rub bread on your walls if you want them to look like new.

Wonder_Bread from WikipediaAbout the Author: Elizabeth Jones-Minsinger is a Ph.D. candidate in the History of American Civilization Program at the University of Delaware. She is writing her dissertation on women’s consumption in early America. You can follow her on twitter @LizJonesAll1Wrd.

Summer Projects in Material Culture

From sewing tents to digging up sherds, Ph.D. students in the History of American Civilization program at the University of Delaware’s Department of History know how to keep themselves busy during the summer. Here is a sampling of what we’ll be doing over the next few months:

Nicole Belolan, Elizabeth Jones, and Anne Reilly will all participate as fellows in the University of Delaware’s Public Humanities Institute (DELPHI). DELPHI exposes graduate students studying material culture to a variety of tools for communicating their research to a broad audience. After two weeks of workshops in June, participants purse their research and work on public outreach projects. Nicole, Anne and Liz will all continue to pursue research they are conducting for their dissertations. You can read short descriptions of their research below. You can also learn more at the DELPHI web site.

  • Nicole is working on the material culture of physical mobility impairment in early America. She is investigating how early Americans used objects to manage their bodies and how those experiences shaped ideas and practices related to gender roles, citizenship, and identity.
  •  Liz’s research examines the role of women’s consumption in the late-eighteenth and early-nineteenth century mid Atlantic, utilizing methodologies from both economic history and material culture studies.
  • Anne is working on twentieth-century public commemorations. This summer, Anne will continue her research on the 1907 Jamestown Tercentenary. She will begin in Richmond, supported by a research fellowship from the Virginia Historical Society.

Alison Kreitzer will be interning at the Hagley Museum and Library this summer. She is part of a team working to finish processing the Z. Taylor Vinson Transportation Collection. Researchers will gain access to the 700 cubic feet of transportation (mainly automobile) memorabilia in 2014. In the meantime, learn more about the Z. Taylor Vinson Transportation Collection by visiting Hagley’s blog.

Lisa Minardi is organizing the fifth annual archaeology field school at The Speaker’s House. The house was the home of Frederick Muhlenberg (1750-1801), the first Speaker of the U.S. House of Representatives. Muhlenberg’s house is located in Montgomery County, PA. The dig runs June 4th through 22th. Visit www.speakershouse.org to learn more.

Tyler Putman sewing. His tailoring skills will come in handy this summer while working at Colonial Williamsburg.

Tyler Putman sewing. His tailoring skills will come in handy this summer while working at Colonial Williamsburg.

Tyler Putman will be dusting off his needles to help reproduce the field tent or marquee George Washington used during the American Revolution. The Museum of the American Revolution owns the original “First Oval Office,” which will serve as the project’s model. Several expert “tailor-historians” will sew the reproduction while interpreting the process at Colonial Williamsburg this summer. You can read more about the project here, and  you can “follow” the tent on its Facebook page here. In addition,check out the project’s progress throughout the summer via the web cam.

Be sure to check back during the summer to read some reports from the field!