George Caleb Bingham, The Country Election, 1851-1852, Saint Louis Art Museum
New images have recently been added to the Artstor Digital Library:
Rembrandt, Self-Portrait in a Cap, Open-Mouthed, 1630, Morgan Library and Museum, New York
Here are a few recent stories of interest from the museum world:
John Gully, Milford Sound, 1883, watercolor, Museum of New Zealand Te Papa Tongarewa, Wellington
The Museum of New Zealand Te Papa Tongarewa in Wellington has made over 30,000 images of works from its collection available for free download. Over 14,000 of these are released under a Creative Commons CC BY-NC-ND license that requires attribution and prohibits any commercial use or the making of derivatives. The remaining 17,000 images have no known copyright restrictions, and are available for any use.
Te Papa is New Zealand’s national museum, and its collections include art as well as history, natural history, and Maori and Pacific cultures. You can read more about this image initiative on Te Papa’s blog, or begin exploring the Collections Online.
Edo culture (Court of Benin, Nigeria), Queen Mother Pendant Mask: Iyoba, 16th century, Metropolitan Museum of Art, New York
The Metropolitan Museum of Art has made more than 400,000 images of public domain works in its collection available for non-commercial use through its new Open Access for Scholarly Content (OASC) initiative. You may now download images from its website and use them for scholarly purposes–including print and online publication–without having to request permission or pay a fee. The Museum is letting users decide if their own projects qualify as “scholarly” or “non-commercial”; you can find definitions and examples on the Met’s OASC FAQ page. You may also want to consult the fine print in the Terms and Conditions for the Met’s website. Commercial use of these images is not permitted.
This is not the first time the Metropolitan Museum of Art has made its images available for free. You have been able to download large images for personal use since its website was redesigned a few years ago, and its collection has been the cornerstone of Artstor’s Images for Academic Publishing (IAP) since that program’s creation. OASC gives users yet another avenue for accessing and using the Met’s images.
You probably already know that UD is a longtime subscriber to Artstor, but you may not know what Shared Shelf and Shared Shelf Commons (sometimes called “Artstor Commons”) are.
UDaily has just published an article about Artstor and Shared Shelf at UD that may answer some of your questions. The Visual Resources Center has been working with Artstor and the UD Library for years, so please feel free to contact me anytime if you need more information about any of these services!
Hindenburg disaster, 1937, film still from British Pathé
A number of new online sources for images, text, and video are now available:
Installation view of Splendors of China’s Forbidden City, exhibition at the Dallas Museum of Art, 2004-2005
New images have recently been added to some existing collections in the Artstor Digital Library:
The Visual Resources Center is pleased to announce its 2014 Summer Internship in Visual Resources Management.
Undergraduate interns have to be enrolled and in residence in Newark during the summer, and will devote about 10 hours a week to their projects from the beginning of June to the end of August. Your exact schedule is flexible. There is no pay for the internship, but you will receive 3 credits at the completion of your project. You do not have to be an Art History major to apply.
Applying is easy: all you need to send are a cover letter and résumé. Click here to learn more about the internship and how to apply for it. And please feel free to contact me at email@example.com if you would like to discuss possibilities for the internship in person.
All applications must be received by Monday, April 21, 2014.
After years of filing lawsuits against those who used their photographs without permission, Getty Images (not to be confused with the the Getty Trust and the J. Paul Getty Museum) has made millions of its stock photos free to anyone who wants to use them for noncommercial purposes.
The one big catch: you have to use their “embed” tool to insert their pictures into your site, which may make them too cumbersome to use. Also note that Getty Images is not making all of its images free–just the rather generic stock photos. So, for example, journalists will still have to pay for the more specific images of current events to illustrate their news stories.
You can read more about this important change from Getty Images in places like Bloomberg Businessweek and CNET.