186 South College

grab your coffee, sit back and hang out with the UD Honors Program for a while

Month: May 2016

The Case for Learning a New Language in College

I’ve noticed—as I struggle through class participation and oral exams—that the people who most easily pick up the oral aspect of Japanese are the people who already know another language: for example, the bilingual girl from a Spanish-speaking background or the Chinese students who speak perfect English. Maybe it’s because their brains are already adapted to switching between languages. But I don’t know; I’m not a psychologist.

Sometimes I wonder if my own difficulties with speaking Japanese can be traced back to my high school education instead. I took Latin for six years before switching to Japanese at UD, a language virtually without an oral component. But I think my main problem is not learning any language from a young age.

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Nights at the Theatre by Amanda Langell

Being the Broadway enthusiast that I am, I was ecstatic to find out the plays put on by the REP here at the University of Delaware are of equal caliber to the shows lining the streets of Manhattan. For a little over two weeks, the REP has been showcasing two plays at once: Red and The Things We Do For Love. The plays are wildly different; while one focuses on abstract messages of life through art, the other delves into the twisted feelings of love present in a three-story home. However, despite their contrasting tones and messages, both scripts are compelling, brilliantly executed, and effortlessly manage to captivate audiences.

Red highlights the relationship between Mark Rothko, a well-established artist, and his new employee, Ken, in a breathtakingly intimate performance in the Studio Theatre at the University of Delaware. The two characters battle through their individual ideas concerning art, life, and commercialism for ninety minutes with no intermission. It is an organic display of passion as principles of the past conflict and interchange with introductions to the new world of art. There are no overdramatic costumes, flaunty sets, or any other material objects that would take away the rawness of the performance. As an audience member, I felt every pulsating wave of emotion emitting from both actors on stage and left feeling inspired by the ideas presented throughout the show.

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